Event Schedule

The Last Thing He Told Me meets Fleishman Is in Trouble in this page-turning story of a couple who flee winter in the Midwest for Palm Springs, where they find their relationship at a crossroads.

Kim and Grant are at a turning point. A couple for thirty years, their "separate but together" partnership is running up against the realities of late middle age: Grant’s mother has died, the college where he taught philosophy was shuttered, and their twin girls are grown and gone. Escaping the bitter cold of a Midwestern winter for the hot desert sun of Palm Springs seems as good a solution as any to the more intractable problems they face.

When they arrive at Le Desert, a quirky condo community where everyone knows everyone’s business, Kim immediately embraces the opportunity to make new friends and explore a more adventurous side of her personality. Meanwhile, Grant struggles to find his footing in this unfamiliar landscape, leaving Kim to wonder if their relationship can survive the snowbird season. But when Grant goes missing on a hike in the Palm Springs mountains, Kim is forced to consider two terrifying outcomes: either Grant is truly lost, or this time, he’s really left her.

Is it ever too late to become the person we wanted to be—and is there still time to change into someone better? The exhilarating, but often confusing transitions of midlife are pitched against the promise and glamour of Palm Springs in this tender, honest story of what it takes to commit to someone for a lifetime. With compassion and humor, Clancy explores the redemptive power of finding ourselves, and of being found.

In conversation with Chloe Benjamin.

From the critically acclaimed author of Shotgun Lovesongs comes an exquisitely written, small-town story about one couple's hard-won second chance at love, forty years after their divorce.

Charlie and Vivian parted ways after just four years of marriage. Too many problems, too many struggles, even though the love didn't quite die. When Charlie returns to Wisconsin forty years later, he's not sure what he'll find. He is sure of one thing — he must try to reconnect with Vivian to pick up the broken pieces of their past. 

But forty years is a long time. It's forty years of other relationships, forty years of building new lives, and forty years of long-held regrets, mistakes, and painful secrets. A brave and triumphant exploration of redemption and sunset triumph, A Forty Year Kiss is a once-in-a-lifetime love story, written with dazzling lyricism and remarkable clarity of spirit, from a celebrated author at the top of his game. It's a literary valentine that promises to be a love story for the ages.

In conversation with Laura Bird. 

From the Emmy Award-winning Squid Game to streaming sensations like The Glory and Crash Landing on You, Korean television has emerged onto the global pop culture scene as compelling television—but what exactly makes these shows so irresistibly bingeable? And what can we learn about our societies and ourselves from watching them?

From stand-up comedian and media studies PhD Grace Jung comes a rollicking deep dive into the cultural significance of Korean television. K-Drama School analyzes everything from common tropes like amnesia and slapping to conspicuous product placements of Subway sandwiches and coffee; to representations of disability, race and gender; to what Korea’s war-torn history says about South Korea’s media output and the stories being told on screen.

With chapters organized by “lessons,” each one inquiring into a different theme of Korean television, K-Drama School offers a groundbreaking exploration into this singular form of entertainment, from an author who writes with humor and heart about shows that spur tears and laughter, keeping us glued to the TV while making fans of us all.

Shows discussed include: Squid Game, SKY Castle, Crash Course in Romance, Extraordinary Attorney Woo, My Mister, Something in the Rain, One Spring Night, DP, Guardian: The Lonely and Great God, Autumn in My Heart, Winter Sonata, Our Blues, and more.

The Dark Mirror is the highly anticipated fifth novel in Samantha Shannon’s New York Times and USA Today bestselling Bone Season series that NPR.org has called “intelligent, inventive, dark, and engrossing.”

Everything is about to change.

Paige Mahoney is outside the Republic of Scion for the first time in more than a decade—but she has no idea how she got to the free world. Half a year has been wiped from her memory.

Her journey back to the revolution soon takes her to Venice, where the Domino Programme has uncovered evidence of a secret Scion plan. Before Paige can return to London, she must help the network unravel the sinister Operation Ventriloquist, which threatens to bring Europe to its knees in weeks.

And it soon becomes clear that the one person who could recover her memories—Arcturus Mesarthim—might also hold the key to thwarting Scion, allowing the revolution to strike an unprecedented blow.

In conversation with LaShawn M. Wanak. 

Presented in partnership with the UW-Madison Program in Creative Writing, a reading from the graduating MFA cohort in poetry, including Patrycja Humienik, Maryhilda Ibe, Iqra Khan, Juj E Lepe, Jonny Teklit, and Andrew Chi Keong Yim.

Timely and thought-provoking, Nancy Reddy unpacks and debunks the bad ideas that have for too long defined what it means to be a "good" mom.

When Nancy Reddy had her first child, she found herself suddenly confronted with the ideal of a perfect mother—a woman who was constantly available, endlessly patient, and immediately invested in her child to the exclusion of all else. Reddy had been raised by a single working mother, considered herself a feminist, and was well on her way to a PhD. Why did doing motherhood "right" feel so wrong?

For answers, Reddy turned to the mid-20th century social scientists and psychologists whose work still forms the basis of so much of what we believe about parenting. It seems ludicrous to imagine modern moms taking advice from midcentury researchers. Yet, their bad ideas about so-called “good” motherhood have seeped so pervasively into our cultural norms. In The Good Mother Myth, Reddy debunks the flawed lab studies, sloppy research, and straightforward misogyny of researchers from Harry Harlow, who claimed to have discovered love by observing monkeys in his lab, to the famous Dr. Spock, whose bestselling parenting guide included just one (1!) illustration of a father interacting with his child.

This timely and thought-provoking book will make you laugh, cry, and want to scream (sometimes all at once). Blending history of science, cultural criticism, and memoir, The Good Mother Myth pulls back the curtain on the flawed social science behind our contemporary understanding of what makes a good mom.

In conversation with Jessica Calarco.

A funny, fiercely intelligent, and moving collection exploring marriage, friendship, fame, and artistic ambition—including a story that revisits the main character from Curtis Sittenfeld’s iconic novel Prep—from the New York Times bestselling author of Eligible and Romantic Comedy.

In her second story collection, Sittenfeld shows why she’s as beloved for her short fiction as she is for her novels. In these dazzling stories, she conjures up characters so real that they seem like old friends, laying bare the moments when their long held beliefs are overturned.

In “The Patron Saints of Middle Age,” a woman visits two friends she hasn’t seen since her divorce. In “A for Alone,” a married middle-aged artist embarks on a creative project intended to disprove the so-called Mike Pence Rule, which suggests that women and men can’t spend time alone without lusting after each other. And in “Lost but Not Forgotten,” Sittenfeld gives readers of her novel Prep a window into the world of her beloved character Lee Fiora, decades later, when Lee attends an alumni reunion at her boarding school.

Hilarious, thought-provoking, and full of tenderness for her characters, Sittenfeld’s stories peel back layer after layer of our inner lives, keeping us riveted to the page with her utterly distinctive voice.

In conversation with Susanna Daniel.

Discover the real truth behind the original fake news with this in-depth history of beloved humor publication, The Onion. In 1988, a band of University of Wisconsin–Madison undergrads and dropouts began publishing a free weekly newspaper with no editorial stance other than “You Are Dumb.” Just wanting to make a few bucks, they wound up becoming the bedrock of modern satire over the course of twenty years, changing the way we consume both our comedy and our news. The Onion served as a hilarious and brutally perceptive satire of the absurdity and horrors of late twentieth-century American life and grew into a global phenomenon. 

Now, for the first time, the full history of the publication is told by one of its original staffers, author and historian Christine Wenc. Through dozens of interviews, Wenc charts The Onion’s rise, its position as one of the first online humor sites, and the way it influenced television programs like The Daily Show and The Colbert Report. Funny Because It’s True peels back the layers to reveal how a group of young misfits from flyover country unintentionally created a cultural phenomenon. 

In conversation with Steve Paulson.

Baptiste's appearance is a school-visit only.

Presented in partnership with the UW-Madison Odyssey Junior Project.

A new classic for Black and Brown children.

ANYTHING and EVERYTHING is possible!

Perhaps you want to become an artist, or a scientist, or maybe even president. Even when–especially when–the path is hard, Dear YOU: Dream BIG.

A personal, poetic, and uplifting affirmation from Caribbean-born author Baptiste Paul encouraging today’s Black youth to reject those who wish to silence them, exclude them, and reject their talents with one powerful refrain.

A powerful, lyrical anthem of Black pride celebrating Black creativity, leadership, and innovation that’s perfect for fans of All Because You Matter, I Am Every Good Thing, and I Am Enough.

Presented in partnership with UW-Madison Mosse/Weinstein Center for Jewish Studies Conney Project on Jewish Arts.

Heavyweight: A Family Story of the Holocaust, Empire, and Memory is an analog inkwash comic about situating family Holocaust history in the context of ongoing colonialism, resisting trauma narratives that excuse the violences of the present, and figuring out whether the ghosts you’ve invented to keep you company are really the ghosts you need. 

About Victory Parade: One of a group of women working as welders in the Brooklyn Navy Yard, Rose Arensberg has fallen in love with a disabled veteran while awaiting the return of her husband, Sam, a soldier in the American army serving in Europe. As we follow the bittersweet, heartbreaking stories of Rose and her fellow Rosie-the-Riveters, we’re immersed in the day-to-day challenges of life on the home front as seen through the eyes of these resilient women, as well as through the eyes of Eleanor, Rose’s impressionable young daughter, and Ruth, the German Jewish refugee Rose has taken into their home.

Ruth’s desperate attempt to exorcise the nightmare of growing up in pre-war Nazi Germany takes her into the world of professional women wrestlers—with devastating consequences. And Sam’s encounters with the horrors of a liberated concentration camp follow him home to Brooklyn in the form of terrifying flashbacks that will leave him scarred forever.

Victory Parade paints a deeply affecting portrait of how individuals and civilizations process mass trauma. Magnificently drawn by Leela Corman, it’s an Expressionist journey through the battlefields of the human heart and the mass graves of genocide.

Kim Jiyoung, Born 1982 follows one woman’s psychic deterioration in the face of rampant misogyny. In a tidy apartment on the outskirts of Seoul, millennial “everywoman” Kim Jiyoung spends her days caring for her infant daughter. But strange symptoms appear: Jiyoung begins to impersonate the voices of other women, dead and alive. As she plunges deeper into this psychosis, her concerned husband sends her to a psychiatrist. Jiyoung narrates her story to this doctor—from her birth to parents who expected a son to elementary school teachers who policed girls’ outfits to male coworkers who installed hidden cameras in women’s restrooms. But can her psychiatrist cure her, or even discover what truly ails her? 

Great World Texts, an initiative of the Center for the Humanities at the University of Wisconsin-Madison, is additionally supported by the UW-Madison Libraries; the Evjue Foundation; the Wisconsin Book Festival; the Anonymous Fund of the University of Wisconsin-Madison; and the Departments of American Indian Studies, History, and English and Creative Writing.

In conversation with Dr. Eunsil Oh.

Eilis Lacey is Irish, married to Tony Fiorello, a plumber and one of four Italian American brothers, all of whom live in neighboring houses on a cul-de-sac in Lindenhurst, Long Island, with their wives and children and Tony’s parents, a huge extended family. It is the spring of 1976 and Eilis is now forty with two teenage children. Though her ties to Ireland remain stronger than those that hold her to her new land and home, she has not returned in decades.

One day, when Tony is at work an Irishman comes to the door asking for Eilis by name. He tells her that his wife is pregnant with Tony’s child and that when the baby is born, he will not raise it but instead deposit it on Eilis’s doorstep. It is what Eilis does—and what she refuses to do—in response to this stunning news that makes Tóibín’s novel so riveting and suspenseful.

Presented in partnership with the UW-Madison Program in Creative Writing, poetry and fiction from the 2024-25 Wisconsin Institute for Creative Writing Fellows. This event will feature the work of Adams Adeosun, Jackie Chalghin, Rickey Fayne, Audrey Gradzewicz, Michael Kaplan, and Winniebell Xinyu Zong.

A sweeping and trenchant exploration of the history of Native American boarding schools in the U.S., and the legacy of abuse wrought by systemic attempts to use education as a tool through which to destroy Native culture.

From the mid-19th century to the late 1930s, tens of thousands of Native children were pulled from their families to attend boarding schools that claimed to help create opportunity for these children to pursue professions outside their communities and otherwise “assimilate” into American life. In reality, these boarding schools—sponsored by the US Government but often run by various religious orders with little to no regulation—were an insidious attempt to destroy tribes, break up families, and stamp out the traditions of generations of Native people.  Children were beaten for speaking their native languages, forced to complete menial tasks in terrible conditions, and utterly deprived of love and affection.

Ojibwe journalist Mary Pember’s mother was forced to attend one of these institutions—a seminary in Wisconsin, and the impacts of her experience have cast a pall over Mary’s own childhood, and her relationship with her mother. Highlighting both her mother’s experience and the experiences of countless other students at such schools, their families, and their children, Medicine River paints a stark portrait of communities still reckoning with the legacy of acculturation that has affected generations of Native communities. Through searing interviews and assiduous historical reporting, Pember traces the evolution and continued rebirth of a culture whose country has been seemingly intent upon destroying it.

The 2025 undergraduate and graduate creative writing awards ceremony. Presented in partnership with The UW Program in Creative Writing.

Featured author TBA.

A raw, crystalline debut poetry collection exploring themes of family, addiction, belonging, and loss—a searching elegy of the fissures that have come to define contemporary American life.

The unsettled border between absence and presence haunts this stunning collection, in which poet laureate Steven Espada Dawson contemplates belonging, identity, family, and grief in poems about his own half-immigrant Mexican American family: his dying mother who raised him, his addict brother who has been missing for more than a decade, and his absent father.

Chronicled in four parts, shifting restlessly between childhood memories, the sudden disappearance of his brother, and the inevitable loss of his ailing mother, Late to the Search Party explores what it means to be a family of one—to be orphaned, whether by fate or by circumstance. In language that is both grounded and ethereal, Dawson tallies the losses and looks at what remains: the frustration and anger, the bewilderment and sadness—and the affection and humor that makes itself felt in spite of everything.

A vivid and thoughtful meditation on love and loss, Late to the Search Party is an ode to the families that inspire and confound us all.